Amazon.com: Canon Eos-1d X 18.1mp Full Frame Cmos Digital Slr Camera: Camera & Photo Preview
Purchase the fantastic Amazon.com: Canon Eos-1d X 18.1mp Full Frame Cmos Digital Slr Camera: Camera & Photo. This sought after product is currently available. For this price, the Amazon.com: Canon Eos-1d X 18.1mp Full Frame Cmos Digital Slr Camera: Camera & Photo is widely respected and is a regular choice for most people. With so many on offer right now, it is wise to have a make you can recognise. This is certainly that and will be a great buy. The supplier have included some great touches and this results in great value for money. You can believe this review, i hope you can try to buy this product if you want know this product. Although I didn't purchase my 1DX through Amazon, I'm posting this review. My local retailer obtained my camera before it became available on Amazon...regrettable!
I was never really a 'full frame zealot' and liked the 1.3 crop of the Mark IV. Gave me that extra bit of reach when I needed it, but conversely I was sometimes frustrated that I could not get as wide a shot as I wanted because of it. I purchased a 5D Mark III earlier this year since the 1DX was so delayed. I figured I would sell the 5D once the the 1DX came out. Bought the battery grip for it because I really missed the portrait grip and it had the extra joystick I was SO looking forward to on the 1DX. Then I got use to a full frame camera. The bokah on them is really stunning. Never really missed the extra reach losing 30% bought me with the Mark IV. Loved the new autofocus points too. Gave me more places to put my single focus point since I'm not a big focus and recompose guy. I find that technique for many of the apertures I shoot at caused me to lose DOF and as a result out of focus shots.
I also compared the ISO performance of the 5DIII with my Mark IV. Not a lot better on the 5DIII in what I shoot so I was a bit concerned about how much better the 1DX would be when it was released. Remember that I OFTEN shoot at high ISO for live theatrical performances. The average is around 6400-12800. If the scene has 'good' light I'm down around 1600-3200. In that 6400-12800 range the 5DIII was on par with the Mark IV.
The menu layout on the 5DIII is the same as the 1DX so when the 1DX was finally available I was better suited to get into the 1DX right away. What I really appreciated were the new AF menu layouts. Rather than having to go through all of the trial and error of figuring out how to configure AI Servo situations reading through the menu examples really helps me out. I'm not sure how often you use AI Servo, but I use it about for about 20% of my work both in studio and during live performances depending on the subject matter. Dance is one area where I find AI Servo to be very useful. I especially like the expansion point options on the 1DX, Zone expansion that was not available on the Mark IV.
The part that I absolutely HATE about the 1DX focusing versus the Mark IV is the elimination of the constant red illumination of the focus point. Let me explain. On the Mark IV even when you have not depressed the shutter or back focus button the focus points remains illuminated red. On the 1DX (and 5DIII too) unless you have pressed either focus button the focus point remains black. In the heat of the moment (where I am always at!) it's almost impossible to know where your focus point is at the time before pressing the shutter halfway or the back focus button. I have missed several shots because of this. Apparently Canon is working on a 'fix' but it's not as easy as it sounds. Apparently the exposure will change based upon the red illumination points and vary again depending on where that point is in the viewfinder. In my world I would gladly give up a slight change in exposure which can be fixed in Post versus having an out of focus shot. I hope they resolve this since it's my biggest bitch with the camera. (both of them)
I have found that with the 1DX ISO 25600 is VERY usable and about on par with the Mark IV's 12800. 25600 is better than the 5DIII's 12800, so for double the price you get 1 stop better low light performance. I rarely used 25600 on the Mark IV because it was just too noisy for my needs. My personal comparison is the 1DX's 25600 is on par with the Mark IV's 12800. BUT what I like is the ability to move up from 25600 to 51200 in 1/3 stop increments. I have used 32000 with great success when needed. But for me that's just one part of the overall equation.
I have not been able to print very large format images yet from the 1DX. I just finished an assignment up in Seattle and will report my findings once the billboards are printed. I can say this, with the Mark IV my images have been used on five billboard campaigns without any up-sizing through programs like Genuine Fractals or such with great success.
Handling
Now this area is VERY hard to explain, quantify, etc. When I was using the 5DIII in both a studio and live performance environment it just felt 'sluggish' to me compared to my Mark IV. Now don't assume I'm talking about the FPS difference as I rarely use that mode since I tend to be a single shooter. Most experienced action shooters including myself will tell you that anticipation and timing is the BEST way to get the 'moment' and although the high frame rate is great, it will never guarantee (and often miss) that defining moment we all strive to capture. No what I'm talking about is the absolute IMMEDIATE reaction from me thinking about pressing the shutter to actually having it 'click.' The 5DIII almost seemed like a point and shoot compared to the Mark IV and the 1DX makes the Mark IV feel sluggish! My best comparison is the feeling of driving a Porsche to a Lexus. There is a sharpness of turn in and handling that Porsche just seems to have down pat in my view. It's almost intuitive really. The 1DX feels like a Porsche Cayman in my hands.
Having that extra joystick in portrait mode is a real godsend. I don't know how many cuss words I've uttered having to span my short thumb across the back to the Mark IV to get to the single joystick. And it's as perfectly positioned as the one in horizontal position. I haven't had time to configure all of the other buttons on the camera, but am looking forward to using those features.
I own and use Canon's 85mm f1.2 II L lens for portraiture, but rarely used it for performance shooting. The reason is it's just too slow to focus quickly enough in low light theatre or dance. BUT the 1DX now drives autofocus on all lenses much quicker than the Mark IV or 5DII. Fast enough that I am now able to use the 85 for certain live performance sessions. Not sure what Canon did, but it's a welcome improvement.
Image Quality
Image quality on the 1DX is superior to the Mark IV in terms of dynamic range and the Mark IV was no slouch! For web work it's impossible for me to tell the difference between the Mark IV, 5DIII or 1DX. BUT in high quality print in large format both the 5DIII and 1DX have such a richness in color and color depth over the Mark IV.
Weather Sealing
Haven't been on assignment with the 1DX yet, but I am going to assume it's just as if not better weather sealed than my previous 1D bodies. When I've returned from harsh weather sessions in full rain, salt water or severe dust, I routinely held the camera under my sink's faucet to remove mud, dust and salt without ever worrying about moisture getting into the internals. I will do the same with the 1DX when the need arises.
Ethernet and WFT-E6A
I was both happy and sad that the 1DX utilizes dual CF card slots. Sad because I like to shoot wirelessly tethered to my iPad during client studio sessions using Eye Fi cards. No it wasn't the fastest on the Mark IV or 5DIII (the 5DIII is actually faster in transmission because it has a dedicated Eye Fi optimization) but it served me well. What I did love with the 1DX is the gigabit Ethernet connection which I'd use to replace the Eye Fi option for my clients. I was shocked at how fast the transmission from shutter press to the image appearing on my laptop screen transmitted. Less than a second with a 25 foot CAT 6 cable. But the more that I thought about going to a wired tether the more I worried about people tripping over the wire. You see in my studio sessions I have all kinds of folks around from Marketing types to Art Directors, hair and makeup, set people, etc.
So I figured I'd buy the WFT-E6A module and try it out for my session. If it didn't work well I thought I'd just return it and go with the wired option. I tested the performance before I left for the assignment. Keep in mind I'm using the smallest JPG size along with RAW files to my cards. I am only sending the JPGs to the laptop wired or wireless. I was shocked to find that the performance using those parameters was about the same as my wired option using Canon's EOS Utility software. Now for those who like to pixel peep or just 'have to be right' (like an old girlfriend I had to get away from!) I am not sure the actual time difference between wired and wireless transmission, but in human terms it is negligible. My client had started to complain that my camera to iPad to Shuttersnitch through Eye FI was a 'bit slow' during the sessions, so I was hoping he'd like this solution better. He was shocked and very pleased at the immediate performance of the new setup and felt it helped our workflow immensely and made our studio sessions even more efficient. So much for returning the transmitter after the session.....
Which leads me to being irritated with Canon for NOT including a wireless option in a 7K camera! Granted the WFT-E6A is weather proof and very small, but come on $600.00 for a wireless option that's not built in? Geesh. On personal work I missed not being able to wirelessly transmit small JPGs to my iPad like I can with my 5DIII and Mark IV using Eye Fi cards. So I searched several sites and found a way to do so with my new 1DX using the WFT-E6A WITHOUT a router using its Ad Hoc mode. YAY!
That's it for now, more after I have more experience with The Beast!
Click Read full reviews button in below for more information about this product.
Amazon.com: Canon Eos-1d X 18.1mp Full Frame Cmos Digital Slr Camera: Camera & Photo Price
Price detail not available..
We will provides my customer with the ability to sort and filter offers to find the one they want to purchase with lower price and good shipping.
Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on this site at the time of purchase will apply to the purchase of this product.
Amazon.com: Canon Eos-1d X 18.1mp Full Frame Cmos Digital Slr Camera: Camera & Photo Overview
Amazon.com: Canon Eos-1d X 18.1mp Full Frame Cmos Digital Slr Camera: Camera & Photo Feature
- Full-frame 18.1 Megapixel CMOS sensor.
- All-new Dual DIGIC 5+ Image Processors deliver high quality image capture at up to 12 fps (14 fps in Super High Speed Mode).
- Powerful ISO range of 100 - 51200 (up to 204800 in H2 mode).
- An all-new, 61-Point High-Density Reticular AF that uses a dedicated DIGIC 4 Image Processor.
- Durable construction, including shutter durability tested to 400,000 cycles.
- Full-frame 18.1 Megapixel CMOS sensor,1-Year Limited Warranty
- All-new Dual DIGIC 5+ Image Processors deliver high quality image capture at up to 12 fps (14 fps in Super High Speed Mode)
- Powerful ISO range of 100 - 51200 (up to 204800 in H2 mode)
- An all-new, 61-Point High-Density Reticular AF that uses a dedicated DIGIC 4 Image Processor
- Durable construction, including shutter durability tested to 400,000 cycles
Amazon.com: Canon Eos-1d X 18.1mp Full Frame Cmos Digital Slr Camera: Camera & Photo Detail
- Product Dimensions: 3.3 x 6.2 x 6.4 inches ; 7.6 pounds
- Shipping Weight: 10 pounds (View shipping rates and policies)
- Shipping: This item is also available for shipping to select countries outside the U.S.
- ASIN: B005Y3T1AI
- Item model number: EOS-1D X
Amazon.com: Canon Eos-1d X 18.1mp Full Frame Cmos Digital Slr Camera: Camera & Photo Other Resource
Biblical canon - Wikipedia, the free encyclopediaA biblical canon, or canon of scripture, is a list of books considered to be authoritative scripture by a particular religious community. The word "canon" comes from ...
Canon Rock (music) - Wikipedia, the free encyclopedia
"Canon Rock" is a neo-classical metal arrangement of Johann Pachelbel's Canon in D major by the Taiwanese musician and composer Jerry Chang (JerryC). The composition ...
If you need more resource you can visit Wikipedia, Yahoo, Google or The Official Website from this product.
0 comments:
Post a Comment